did basil die in brewster place

In Naylor's representation of rape, the power of the gaze is turned against itself; the aesthetic observer is forced to watch powerlessly as the violator steps up to the wall to stare with detached pleasure at an exhibit in which the reader, as well as the victim of violence, is on display. By manipulating the reader's placement within the scene of violence, Naylor subverts the objectifying power of the gaze; as the gaze is trapped within the erotic object, the necessary distance between the voyeur and the object of voyeuristic pleasure is collapsed. Appiah, Amistad Press, 1993, pp. Jill Matus, "Dream, Deferral, and Closure in The Women of Brewster Place." The attempt to translate violence into narrative, therefore, very easily lapses into a choreography of bodily positions and angles of assault that serves as a transcription of the violator's story. Brewster Place She wasnt a young woman, but I am still haunted by a sense that she left work undone. Introduction ", Cora Lee's story opens with a quotation from Shakespeare's A Midsummer Night's Dream:'True, I talk of dreams, / Which are the children of an idle brain / begot of nothing but vain fantasy." GENERAL COMMENTARY After a frightening episode with a rat in her apartment, Mattie looks for new housing. And Naylor takes artistic license to resurrect Ben, the gentle janitor killed by a distraught rape victim, who functions as the novel's narrator. Especially poignant is Lorraine's relationship with Ben. An anthology of stories that relate to the black experience. Like them, her books sing of sorrows proudly borne by black women in America. It wasn't easy to write about men. Later in the decade, Martin Luther King was assassinated, the culmination of ten years of violence against blacks. As she watches the actors on stage and her children in the audience she is filled with remorse for not having been a more responsible parent. I liked " 1974: Basil Brown, a 48-year-old health food advocate from Croydon, England, died from liver damage after he consumed 70 million units of Vitamin A and around 10 gallons (38 litres) of carrot juice over ten days, turning his skin bright yellow. After presenting a loose community of six stories, each focusing on a particular character, Gloria Naylor constructs a seventh, ostensibly designed to draw discrete elements together, to "round off" the collection. In other words, she takes the characters back in time to show their backgrounds. Christine H. King asserts in Identities and Issues in Literature, "The ambiguity of the ending gives the story a mythic quality by stressing the continual possibility of dreams and the results of their deferral." Naylor succeeds in communicating the victim's experience of rape exactly because her representation documents not only the violation of Lorraine's body from without but the resulting assault on her consciousness from within. As a black girl growing up in a still-segregated South, Etta Mae broke all the rules. Throughout the story, Naylor creates situations that stress the loneliness of the characters.

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